Journal

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Recycle Collection

In our continual mission to be more circular and achieve our zero-waste goal, our Recycle Programme initiative is aimed at taking total ownership of our products for their entire lifecycle.

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PRESENTING SUMMER

Deadly Ponies' new arrivals waft in on a summer breeze, scouring the sands with serene hues, scuba and smoke.

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SPRING ‘23 LOOKBOOK

Injected with anarchic energy courtesy of British art world ‘bad girl’ Tracey Emin, seasonal hues echo her scrawled neon text and paint splatters.

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THROUGH A LENS... ZOE MCINTOSH

Zoe McIntosh Zoe McIntosh Filmmaker and friend of Deadly Ponies, Zoe McIntosh, took her talent a-travelling, heading to Mexico after the world premiere of her feature documentary Stylebender.

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PATENTLY PERFECT

Playful, in patent leather, our coveted glossy texture for Spring '23 goes hand-in-hand with satin-finish brass hardware. It's patent perfection...

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INTRODUCING FUTON

Spring makes a soft landing with new silhouettes Futon Mini & Futon Midi.

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PONIES IN THE WILD

Spring Summer '23 as seen on friends of Deadly Ponies at NZFW.

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Spring '23 | The New Beginning

Our most significant design overhaul in more than a decade, Carousel, has been injected with anarchic energy courtesy of inspiration from British art world ‘bad girl’ Tracey Emin.

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BACK TO THE BEGINNING

Paying tribute to our heritage, Deadly Ponies’ Spring ‘23 collection introduces a new satin finish to our recyclable solid-brass hardware.

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INTRODUCING HOME HILL | RECYCLE COLLECTION

With sustainability at the core of all we do, we’ve repurposed our leather off-cuts to breathe life into new colourful creatures.

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MATARIKI / LOOK BACK / LOOK FORWARD

Matariki, the time to cast our eyes to the stars, to gaze back and honour those we have lost, to look forward to what the new year brings.

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INTRODUCING NANOMESE | RECYCLE COLLECTION

In keeping with our zero-waste values, our vibrant leather offcuts have been reborn and repurposed to welcome... Mr Nanomese.

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Life lines // Deadly Ponies & Poetry

Standing on the precipice of an artificial age, we look to living, breathing artists, to light our way, to articulate movement and wonder, to tether us to humanity.